| This
typical Italian Gothic building, the Cathedral of Florence,
is dedicated to Santa Maria del Fiore. The church was designed by
Arnolfo di Cambio (c1245-1302) who considerably enlarged the existing
religious structure. Finished around 1367, the Cathedral
was completely covered by coloured marbles like the earlier Baptistery,
except for the facade that remained unfinished and was terminated
only in the 19th century.
The project left unfinished also the Dome, since
in 1421 only the frame (polygonal base) had been erected. Two architects,
Lorenzo Ghiberti (1368-1445) and Filippo Brunelleschi (1377-1446)
won the competition although it was the latter who actually built
the Duomo, showing a great mastery of technical
knowledge, in 1436.
One of the most remarkable features of the outside of the building
is the so-called Porta "della Mandorla" (north) (della
mandorla = almond) that was given this name because of the large
aureole around the figure of the Virgin sculptured also by Nanni
di Banco (1380/90-1421) among others.
Its interior preserves very important works of art: on the left
side we find the first two detached frescoes showing the "condottieri"
Giovanni Acuto and Niccolò da Tolentino painted respectively
by Paolo Uccello in 1436 and by Andrea del Castagno in 1456. Paolo
Uccello also frescoed the clock on the inside wall, showing four
vigorous heads of saints.
The
many sculptures made specifically for the cathedral (many of which
have now been moved to the Museo dell'Opera del Duomo,
see related chapter) comprise also the Lunettes by Luca della Robbia
above the doors of the Mass Sacristies. The large Pieta by Michelangelo
(c.1553) has instead been removed and transferred to the Museo
dell'Opera del Duomo.
Most of the splendid stained glass windows were made between 1434
and 1455 to the designs of famous artists like Donatello, Andrea
del Castagno and Paolo Uccello. The wooden inlays on the Sacristy's
cupboards were designed by Brunelleschi and by other artists, including
Antonio del Pollaiolo.
The internal walls of the dome, which have recently been restored,
were frescoed between 1572 and 1579 by Giorgio Vasari (1511-1574)
and Federico Zuccari (c.1540-1609) who represented a large scene
of the Final Judgement. The bell tower by Giotto remains, together
with the huge dome one of the most striking views of the town. The
famous painter, Giotto, was in fact also the architect of the project
for the bell tower, although by the time of his death (1337) only
the lower part had been completed. The works continued under the
direction of Andrea Pisano (c. 1290-1349) and Francesco Talenti
(not. 1325-1369) who completed the project.
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